Bibliografia

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ACCOLTI, Pietro – Lo inganno degli occhi. Firenze: appresso Pietro Cecconcelli alle Stelle medicee, 1625.

Adams, George – Geometrical and Graphical Essays, Containing a General Description of the Mathematical Instruments Used in Geometry, Civil and Military Surveying, Levelling and Perspective, with many new Practical Problems. London, 1803 (1st. ed.1791).

ADAMS, George – Lectures on Natural and Experimental Philosophy. London, 1799 (2nd ed.), Vol. 2.

ALBERTI, Leon Battista – De la pintura y otros escritos sobre arte (Introducción, traducción y notas de Rocio de la Villa). Madrid: Editorial Tecnos, S.A., 1999.

ALBERTI, Leon Battista – Della Pittura. Wikisource[em linha]. Disponível em WWW: <http://it.wikisource.org/wiki/Della_pittura>.

ALBERTI, Leon Battista – La Pittura (Traduzione di Lodovico Domenichi). Bologna: Arnaldo Forni Editore s.r.l., 1988 (fac-simile da edição de 1547).

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ALPERS, Svetlana – The Art of Describing, Dutch Art in the Seventeeth Century. Chicago: University of Chicago Press, 1983.

AMES-LEWIS, Francis Drawing in Early Renaissance Italy. New Haven and London: Yale University Press, 2000 (1st edition 1981).

Amici, Giovanni Battista – Alcuni Avvertimenti per adoperare la Camera Lucida costruita nel laboratorio del Professore Gio Battista Amici di Modena. Modena, 1819.

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ANÓNIMO – Professor Amici’s Improved Camera Lucidas. In: The Edinburgh Journal of Science, Nº. 1, July 1825, Vol. 3.

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ANÓNIMO – Walter Schottky. The Hebrew University of Jerusalem, Institute of Chemistry [em linha]. Jerusalem. Disponível  em WWW: <http://www.geocities.com/bioelectrochemistry/schottky.htm>.

Anónimo – Wollaston’s Camera Lucida, Amici’s Ditto, and Alexander’s Graphic Mirror. In: The Magazine of Science, and School of Arts, London,  Nº. XLIII, 1840, Vol. I.

ARÉVALO, F. – La representación de la ciudad en el Renacimiento. Levantamiento urbano y territorial. Barcelona: Fundación Caja de Arquitectos, 2003.

ARNHEIM, Rudolph – Brunelleschi’s Peepshow. In: Zeitschrift für Kunstgeschichte, 41 Bd., H. 1, 1978.

BALDINUCCI, Filippo – Vocabolario Toscano dell’Arte del Disegno, nel quale si explicano i propri termini e voci, non solo della Pittura, Scultura, & Architettura; ma ancora di altre Arti a quelle subordinate, e che abbiano per fondamento il Disegno. Firenze: Franchi, 1681. Edição Fac-simile, Firenze: S.P.E.S, 1985.

BALTRUSAITIS, Jurgis – Anamorphoses. Les perspectives depravées. Paris: Flammarion, 1984.

BARBARO, Daniele – Dieci libri dell’architettura di M. Vitruvio. Venezia, 1556.

BARBARO, Daniele – La pratica della perspettiva. Veneza, 1568-1569.

BARDESCHI, M. Dezzi – Geomatic for Conservation: “The Shadow and the Reality”. Reading the Sperimental and Theoretic Efforts of Worlwide Recognized Genius: Leon Battista Alberti [em linha]. CIPA 2005 XX International Symposium, Torino, 2005. Disponível em WWW: <http://cipa.icomos.org/fileadmin/papers/Torino2005/220.pdf.>.

Barnouw, Erik – Media Lost and Found. New York: Fordham University Press, 2001.

BATE, John – The Mysteryes of Nature and Art: Drawing, Colouring, Painting, and Engraving. London, 1634, Vol. III.

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Benedetti, Giovanni Battista – Diversarum speculationum mathematicarum & physicarum liber. Torino: N. Bevilacqua, 1585.

BENES, Peter; BENES, Jane M. (editors) – Painting and Portrait Making in the American Northeast. Boston: Boston University [The Dublin Seminar for New England Folklife Annual Proceedings], 1994.

Benzi, Fabio; Strinati, Claudio – Gaspare Vanvitelli e le origini del Vedutismo: Roma/Venezia: Viviani Editore, 2002/2003.

Berlo, D. K. – El Processo de la Comunicación: Introducción a la Teoría y a la Prática (Trad. Silvina González Roura y Giovann Winckhler). Buenos Aires: Editorial “El Ateneo”, 1969.

BETTINO, Mario – Apiaria Universae Philosophiae Mathematicae. Bononiae: typis Io. Baptistae Ferronij, 1645.

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BIBLIOGRAFIA

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